But the bottom line is indisputable: As shaped by Villeneuve and his masterful creative team, especially production designer Dennis Gassner and cinematographer Roger Deakins, this film puts you firmly, brilliantly, unassailably in another world of its own devising, and that is no small thing.”įor more context on the original film, The Times republished an in-depth article Turan wrote in 1992 on the original film’s storied history and legend, where he said, “More than anything else, ‘Blade Runner’s’ saga is, as the best Hollywood stories invariably are, a microcosm for the industry, starkly underlining how irredeemably deep the classic split between aesthetics and commerce is and also how painfully inevitable. You can quibble with aspects of it and people being people (as opposed to replicants) surely will. In his review for The Times, Kenneth Turan wrote, “What’s remarkable about ‘Blade Runner 2049’ is how good it is. ![]() Though Moonee’s story may not have a Hollywood happy ending when she’s grown and the world has been cruel, Baker has created an indomitable character who’s at least got a fighting chance.”įrench-Canadian filmmaker Denis Villeneuve has likewise long been making his way up the ranks, especially since “Prisoners” and “Enemy” in 2010, on through “Sicario,” “Arrival” and now the astonishing “Blade Runner 2049.” A sequel to Ridley Scott’s 1982 “Blade Runner,” the new film stars Ryan Gosling and, reprising his role from the original, Harrison Ford. ![]() … We watch her Little Rascal antics increasingly sure that something terrible is going to happen.Īt the LA Weekly, April Wolfe wrote further on Moonee et al.’s high-spirited misadventures, adding, “She and her little buds aren’t simply precocious pranksters they are full human beings with hopes and fears and coping mechanisms. Scott spoke of the film’s unlikely sense of innocence in a world with darkness looming, particularly Prince’s character of Moonee, when he wrote, “But of course the viewer who experiences vicarious delight in their capers - ice cream tastes so much sweeter when you have conned some tourists into paying for it - is simultaneously conscious of an undertow of sorrow, anxiety and dread. I also recently sat down with Dafoe in Los Angeles for an interview that will be out soon. ![]() Dafoe remarked how the atmosphere on-set, particularly corralling the youngest members of the cast, would often make its way into the film, when he said, “There was a shadow thing, the reality was really informing the action of the fiction.” has made a dazzling neorealist sugar rush of a movie.Īt the recent Toronto International Film Festival, I interviewed Baker, actor Willem Dafoe and newcomers Brooklynn Prince and Bria Vinaite. ![]() With its candy pallette and buzzing energy, “The Florida Project” is simply one of the freshest, most original movies of the yearĪs Justin Chang put it in his review for The Times, “’The Florida Project’ has the same intimately searching spirit and fascination with marginalized subcultures as ‘Tangerine,’ but it’s also something greater: Scene by scene, it assembles one of the most infectious and thrillingly alive portraits of childhood I’ve ever seen. Sean Baker has long been making deeply felt, empathetically humanist explorations of worlds many would overlook, from his earlier films “Take Out,” “Prince of Broadway” and “Starlet,” to his breakthrough with “Tangerine.” With his new “ The Florida Project,” Baker finds a story within the realm of rundown motels in the shadow of Disney World in Florida, crafting a playful but emotional tale in which young children occupy themselves away from their struggling parents with infectious resilience.
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